Mayne Reid Bibliography Examples

For other people named Thomas Reid, see Thomas Reid (disambiguation).

Thomas Mayne Reid
BornApril 4, 1818
Ballyroney, County Down, Ireland
DiedOctober 22, 1883 (1883-10-23) (aged 65)
London, United Kingdom

Thomas Mayne Reid (April 4, 1818 – October 22, 1883), was a Scots-Irish American novelist. "Captain" Reid wrote many adventure novels akin to those written by Frederick Marryat and Robert Louis Stevenson. He was a great admirer of Lord Byron. These novels contain action that takes place primarily in untamed locations including, but not limited to: the American West, Mexico, South Africa, the Himalayas, and Jamaica.


Early years[edit]

Reid was born in Ballyroney, a small hamlet near Katesbridge, County Down, in the north of Ireland, the son of Rev. Thomas Mayne Reid Sr., who was a senior clerk of the General Assembly of the Presbyterian Church in Ireland. His father wanted him to become a Presbyterianminister, so in September 1834 he enrolled at the Royal Belfast Academical Institution. Although he stayed for four years, he could not motivate himself enough to complete his studies and receive a degree. He headed back home to Ballyroney to teach school.

In December 1839 he boarded the Dumfriesshire bound for New Orleans, Louisiana, arriving in January 1840. Shortly afterward he found a job as a clerk for a corn factor, or trader in the corn market. He stayed in New Orleans for six months. It is said that he left his position for refusing to whip slaves. (Reid later used Louisiana as the setting of one of his best-selling books, an anti-slavery novel entitled The Quadroon.)

From New Orleans, Reid traveled to Tennessee. On a plantation near Nashville, he tutored the children of Dr. Peyton Robertson, who some Reid biographers have confused with the Doctor's father, General James Randolph Robertson. (Some twenty years later, Reid would make mid-Tennessee the setting for his novel The Wild Huntress.) Following Dr. Robertson's death, Reid founded a short-lived private school in Nashville. In 1841 he found work as a clerk for a provision dealer in either Natchez, Mississippi or Natchitoches, Louisiana (the latter place seems more likely). Although Reid later claimed to have made several trips to the West during this period of his life (on which he purportedly based some of his novels), the evidence for such journeys is sketchy and confusing at best.

Literary career[edit]

In late 1842 Reid arrived in Pittsburgh, Pennsylvania, where he began his literary career writing both prose and poetry for the Pittsburgh Morning Chronicle under the pen-name The Poor Scholar. (He also apparently worked as a carrier for the paper.) His earliest verifiable work was a series of epic poems called Scenes in the West Indies.

In early 1843, Reid moved to Philadelphia, where he remained for three years. During this time he worked as a journalist and from time to time had poetry published in Godey's Lady's Book, Graham's Magazine, the Ladies National Magazine, and similar publications, using the same pseudonym he had employed in Pittsburgh. It was in Philadelphia that he met Edgar Allan Poe and the two became drinking companions for a time.[2] Poe would later call Reid "a colossal but most picturesque liar. He fibs on a surprising scale but with the finish of an artist, and that is why I listen to him attentively."[3]

When the Mexican-American War began in the spring of 1846, Reid was working as a correspondent for the New York Herald in Newport, Rhode Island (which would later become the setting for yet another novel). At this time he began using the pen-name Ecolier, in addition to the Poor Scholar.

On November 23, 1846, Reid joined the First New York Volunteer Infantry as a second lieutenant. In January 1847 the regiment left New York by ship. The New Yorkers camped for several weeks at Lobos Island before taking part in Major General Winfield Scott's invasion of Central Mexico, which began on March 9 at Vera Cruz. Using the pseudonym "Ecolier", Reid was a correspondent for the a New York newspaper, Spirit of the Times, which published his Sketches by a Skirmisher. On September 13, at the Battle of Chapultepec, the young Irish-born officer received a severe thigh wound while leading a charge. He was afterward promoted to the rank of first lieutenant for bravery in battle. On May 5, 1848 Reid resigned his commission and in July he returned to New York with his regiment.

Love's Martyr, his first play, played at the Walnut Street Theater in Philadelphia for five nights, in October 1848. He published War Life, an account of his army service, June 27, 1849.

Learning of the Bavarian Revolution, he headed to England to volunteer. But, after the Atlantic crossing changed his mind, and instead headed home to northern Ireland. He shortly moved to London, and in 1850 published his first novel, The Rifle Rangers. This was followed by The Scalp Hunters (1851; dedicated to Commodore Edwin W. Moore, whom he met in 1841), The Desert Home (1852), and The Boy Hunters (1853). This latter book, set in Texas and Louisiana, was "juvenile scientific travelog". It would become a favorite of young Theodore Roosevelt, who would become a huge Reid fan. That same year Reid married the daughter of his publisher G. W. Hyde, an English aristocrat, Elizabeth Hyde, a 15-year-old young lady.

After a short time off to spend with his new bride and honeymoon, he soon returned to writing. Continuing to base his novels on his adventures in America, he turned out several more successful novels: The White Chief (1855), The Quadroon (1856), Osceola (1858), and The Headless Horseman (1865).

He spent money freely, including building in Gerrards Cross, Buckinghamshire, the sprawling "Rancho", an elaborate reproduction of a Mexican hacienda that he had seen during the Mexican-American War, where he took to farming. This extravagant living forced him to declare bankruptcy in November 1866 (from which he was discharged in January 1867). The following October he left London and moved to Newport, Rhode Island, hoping to recapture the success the U.S. had brought him earlier. He went back to New York in 1867 and founded the Onward Magazine.[4]

Last years[edit]

Reid lectured at Steinway Hall in New York, and published the novel The Helpless Hand in 1868. But America was not as kind to Reid this time around. The wound he had received at Chapultepec started to bother him, and he was hospitalized for several months at St. Luke in June 1870. Elizabeth hated America, and following his discharge from the hospital he and his wife returned to England on October 22, 1870, and lived at Ross on Wye, Herefordshire.

Suffering from acute melancholia, he was soon again hospitalized. He tried to write, but completed few projects. He lived mainly off his U.S. Army pension, which was not enough to cover his situation. Reid died in London, at the age of 65, and was buried in Kensal Green Cemetery. A quotation from The Scalp Hunters is on his grave marker: "This is 'weed prairie'; it is misnamed: It is the Garden of God."

Influence and legacy[edit]

Books such as the Young Voyagers had great popularity, especially with boys. He was also very popular around the world; his tales of the American West captivated children everywhere, including Europe and Russia. Among his books, many of which were popular in translation in Poland and Russia, were The Rifle Rangers (1850), Scalp Hunters (1851), Boy Hunters (1853), War Trail (1851), Boy Tar (1859), and Headless Horseman (1865/6).[4]Vladimir Nabokov recalled The Headless Horseman as a favourite adventure novel of his childhood years - "which had given him a vision of the prairies and the great open spaces and the overarching sky."[5] At 11, Nabokov even translated The Headless Horseman into French alexandrines.[6]Alexander Bek mentions the well-read K.K. Rokossovky, future Marshal of the Soviet Union, referring to Reid's work in early 1942.[7]Czeslaw Milosz also cites Russian translations of Reid as well-remembered early reading matter, which allowed him to learn Russian and the Cyrillic alphabet. A chapter on Reid appears in his Emperor of the Earth (1976) collection of essays. Anton Chekhov in 'Island, a Journey to Sakhalin" (1893-4) mentions 'Mayne Reid' in Chapter 10: "...the morose, angry sea has spread itself boundlessly for thousands of versts. When a little boy has been reading Mayne Reid and his blanket falls off during the night, he starts shivering, and it is than that he dreams of such a sea."

In his autobiography, United States President Teddy Roosevelt credits Mayne Reid with being a major early inspiration. The shy, asthmatic aristocrat, Theodore Roosevelt, would grow up to pursue naturalistic zoology and adventure travel.

Russell Miller, in his biography of Arthur Conan Doyle, credits Mayne Reid as being one of Conan Doyle's favorite childhood authors and a great influence on Conan Doyle's writings.

Although Mayne Reid called himself, and is listed often as, "captain", Francis B. Heitman's definitive Historical Register and Dictionary of the U.S. Army only shows lieutenant.


Reid wrote about seventy-five novels, and many short stories and sketches.[8]

This list is incomplete; you can help by expanding it.

  • The Rifle Rangers; or, Adventures in Southern Mexico (1850)
  • The Scalp Hunters: A Romance of the Plain (1851)
  • The Desert Home: The Adventures of a Lost Family in the Wilderness (1851)
  • The Forest Exiles; or, The Perils of a Peruvian Family Amid the Wilds of the Amazon (1852)
  • The White Chief; A Legend of North Mexico (1855)
  • The Boy Hunters, or, Adventures in Search of a White Buffalo (1855)
  • The Hunter's Feast; or, Conversations Around the Camp-fire (1856)
  • The Bush Boys: History and Adventures of a Cape Farmer and His Family (1856)
  • The Quadroon: or, A Lover's Adventures in Louisiana: in 3 volumes (1856)
  • The War-trail: or, The Hunt of the Wild Horse; a Romance of the Prairie (1857)
  • *The Young Yagers, or, A Narrative of Hunting Adventures in Southern Africa (1857)[9][10]
  • The Plant Hunters; or, Adventures Among the Himalaya Mountains (1858)
  • Osceola the Seminole, or, The Red Fawn of the Flower Land (1858)
  • The Lone Ranch (1860)
  • The Scalp Hunters (1860)
  • Bruin: The Great Bear Hunt (1860)
  • The Lone Ranch: A Tale of the Staked Plain (1860)
  • The Wild Huntress; or, The Big Squatter's Vengeance (1861)
  • The Maroon: A Tale of Voodoo and Obeah (1862)
  • Croquet (1863)
  • The Cliff Climbers (1864)[11]
  • The Boy Slaves (1865)
  • The Headless Horseman (1866)
  • The Giraffe Hunters (1867)
  • Afloat in The Forest; or A Voyage Among the Tree-Tops (1867)
  • The White Squaw (1868)
  • The Headless Horseman: A Strange Story of Texas (1868)
  • The Helpless Hand: A Tale of Backwoods Retribution (1868)
  • The Planter Pirate: A Souvenir of Mississippi (1868)
  • "The Child Wife: A Tale of Two Worlds" (1869)
  • The Yellow Chief: A Romance of the Rocky Mountains (1869)
  • The Fatal Cord (1869)
  • The Castaways (1870)
  • The Vee-Boers: A Tale of Adventure in Southern Africa (1870)
  • The Finger of Fate (1872)
  • The Death Shot; or, Tracked to Death (1873)
  • The Cuban Patriot, or, The Beautiful Creole: An Episode of the Cuban Revolution (1873)
  • The Death Shot (1874)
  • The Ocean Waifs: A Story of Adventure on Land and Sea (J.R. Osgood, 1874)[12]
  • The Giraffe Hunters (1876)
  • The Flag of Distress, or A Story of the South Sea (1876)
  • Gwen Wynn; A Romance of the Wye (1877)
  • The Man-Eaters (1878)
  • The Specter Barque: A Tale of the Pacific (1879)
  • The Captain of the Rifles; or, The Queen of the Lakes: A Romance of the Mexican Valley (1879)
  • The Land Pirates, or, The League of Devil's Island: A Tale of the Mississippi (1879)
  • The Ocean Hunters, or, The Chase of the Leviathan: A Romance of Perilous Adventure (1881)
  • Blue Dick, or, The Yellow Chief's Vengeance: A Romance of the Rocky Mountains (1883)
  • The Hunters' Feast (serial 1854, book 1883)
  • Gaspar, the Gaucho, or, Lost on the Pampas: A Tale of the Gran Chaco (1883)
  • The Island Pirate: A Tale of the Mississippi (1884)
  • The Land of Fire: A Tale of Adventure (1885)
  • The Lost Mountain: A Tale of Sonora (1885)
  • The Free Lances: A Romance of the Mexican Valley (1888)
  • The Tiger Hunter: A Hero in Spite of Himself (1889)
  • No Quarter! (1890)
  • The White Gauntlet (1892)
  • The Guerilla Chief and Other Tales
  • The Bandolero, A Marriage among the Mountains
  • The Boy Tar
  • The Child Wife
  • Ran Away to Sea
  • Wood Rangers: The Trappers of Sonora
  • The Young Voyageurs: Boy Hunters in the North


The Boy Tar

External links[edit]



  1. ^
  2. ^Meyers, Jeffrey. Edgar Allan Poe: His Life and Legacy. Cooper Square Press, 1992. p. 142. ISBN 0-8154-1038-7
  3. ^Howard Paul, Munsey's Magazine, August 1892. 555.
  4. ^ abOpen Source Books. Internet Archive. Accessed July 14, 2007.
  5. ^CLASSICS ON CASSETTE:'SPEAK, MEMORY'. John Espey. Los Angeles Times Book Review; Page 8; Book Review Desk. October 20, 1991.
  6. ^Artist as Precocious Young Man. Rutherford A. Sunday Herald December 30, 1990.
  7. ^Quoted from Bek's Strikhi (Strokes) in Dr. Boris Sokolov, Marshal K.K. Rokossovsky, trans. and edited by Stuart Britton, Helion & Co., Ltd., Solihull, UK, 2015, p 167
  8. ^"Reid, Captain Mayne" Bio at the Northern Illinois University Libraries
  9. ^
  10. ^
  11. ^
  12. ^
CAPT. MAYNE REID (1818-1883)

And still they gazed, and still the wonder grew,
That one small head should carry all he knew.
OLIVER GOLDSMITH, The Deserted Village, lines 215-16

Thomas Mayne Reid, the son of Thomas Mayne Reid, a Presbyterian preacher, was born April 4, 1818, at Ballyroney, County Down, Ireland. He began to study for the ministry but soon abandoned that and in 1840 set out for America. He arrived in New Orleans and traded and hunted with the Indians, and hunted and trapped along the Missouri and Platte Rivers. For a time he taught school in Nashville, Tennessee, but in 1842 he went to Pittsburgh, Pennsylvania, and in 1848 to Philadelphia, where he lived for about three years. His first publication was in the Pittsburgh Morning Chronicle, where some of his verse appeared in 1842 under the pseudonym "The Poor Scholar." In 1846 he joined the staff of the New York Herald as Society Editor, and in the autumn of the same year he was writing for the Spirit of the Times. During the war with Mexico, he was commissioned as second lieutenant in Burnett's regiment of New York Volunteers, and sailed for Vera Cruz in December, 1846. Vera Cruz taken, he was with his regiment in the storming of Chapultepec,(1) where he was wounded in the hip September 13, 1847. Shortly thereafter he was made first lieutenant. He resigned from the army May 5, 1848, and during the autumn and winter of 1848-49 lived with Donn Piatt in the valley of the Mac-o-chee, in Ohio; while there he wrote "The Rifle Rangers," which, however, was not published until 1850. He returned to New York in the spring of 1849, and sailed for Liverpool in June. He visited his home in Ireland, and then began in London the production of numerous novels of adventure. "The Scalp Hunters," his next story, appeared in 1851. In 1853 he was married to Elizabeth Hyde, a girl of fifteen, and removed from London to Buckinghamshire, about twenty miles from London. A daily evening paper, The Little Times, which he began to publish in 1867, was a failure, and in October of the same year he and Mrs. Reid went to the United States, arriving at Newport, Rhode Island, in November. Here he wrote "The Child Wife," which was published by Sheldon & Co. of New York. In their advertisement(2) they announced that "Captain Mayne Reid has now become an American citizen, and this is the first of his books in the sale of which he has any direct pecuniary interest. Protected by our laws, he now receives the regular copyright of an American author." Mrs. Reid(3) stated, in her biography of her husband, which is not always accurate, that "Frank Leslie's Paper paid him 8,000 dollars for the right of first appearance in its columns." She also said that The Fireside Companion paid him $5,000 for "The Finger of Fate." In January, 1868, he entered into an agreement with Beadle & Co. to write a series of dime novels for them, "The Helpless Hand" being the first.(4) This was followed by "The Scalp Hunters," a reprint, "The Planter Pirate" and "The White Squaw" in the same year, and "The Yellow Chief" in 1869. For "The White Squaw" he received $700 from Beadle, said at the time to be the highest price ever received by any writer for a dime novel. It was, however, not the highest price paid for the serial rights of a story, for Leon Lewis, Oll Coomes, and several other writers received more. Reid continued writing for Beadle for eight or nine years and, in fact, continued to send them sketches until his death. A magazine which he started in 1869, Onward, lasted only fourteen months. The next year he was confined to St. Luke's Hospital in New York for some time, owing to an infection of the wound he received in Mexico. On September 10, 1870, he was able to leave the hospital and sailed for England where he resumed the pen, writing short stories and revising some of his earlier novels. "The Death Shot" was also written at this time and appeared in The Penny Illustrated Paper. In October, 1874, an abscess formed on the knee of his wounded leg, and thereafter he was unable to walk without the aid of crutches. He was joint editor with John Latey of The Boys' Illustrated News from April 6, 1881, for ten months, and wrote for it "The Lost Mountain; a Tale of Sonora." About this time Reid's invention began to flag and he became less popular, so that he turned his attention to farming near Ross, in Herefordshire, although he also continued to write. His last novel, "No Quarter," a tale of the Parliamentary wars, and his last boys' book, "The Land of Fire," were published after his death, which occurred October 22, 1883. He was buried in Kensal Green Cemetery.

Reid wrote about seventy-five novels of adventure and many short stories and sketches.(5) His early romances are by far the best, but his stories for boys, early or late, are pretty poor.

Reid was rather striking in appearance and somewhat foppish in his dress, addicted to lemon yellow gloves and clothes of unusual patterns and loud checks. He wore a monocle, and it may be that this gave rise to a story told by Pearson(6) that he had a glass eye, and that when Reid and some of his fellow authors went from the Beadle offices to a nearby place of refreshment, the Captain sometimes had the misfortune to lose his eye in his drink, and it became necessary for it to be fished out before conversation could be resumed.

REFERENCES: Elizabeth Reid, Mayne Reid, a Memoir of his Life, London, 1890, with portrait; Allibone, Dict. Eng. Lit., II and Supplement, II; E. P. Oberholzer, The Literary History of Philadelphia; Jeaffreson, Novels and Novelists, 1858, II, 387; The Saturday Journal, II, January 27, 1872, 1, with portrait; Beadle's Weekly, II, No. 53, November 17, 1883; II, No. 55, September 1, 1883; The Bookman (N.Y.), XIII, 1901, 58 (small portrait); Boston Evening Transcript, March 27, 1884; New York Tribune, October 23, 1883; New York Herald, October 23, 1883; The Writer, XIII, July, 1900, 112; Our Young Folks, III, 1867 (frontispiece portrait); Charles F. Lummis, Mesa, Canon and Pueblo, New York, 1925, 19; Fireside Companion, II, June 13, 1868, 4, 5 (portrait).

Dime Novels. Nos. 141, 150, 152, 155, 189, 373, 554, 559, 624
Saturday Journal.
Nos. 10, 91, 97, 172, 205, 405, 446, 466, 513, 590, 600, 640
Beadle's Weekly. Nos. 1, 61, 205
Banner Weekly. No. 582
New and Old Friends. Nos. 1 (n.s.), 2 (n.s.)
Pocket Novels. Nos. 4, 10
Twenty Cent Novels.
Nos. 5, 12
Starr's New York Library.
Nos. 8, 12
Dime Library.
Nos. 8, 12, 55, 66, 74, 200, 208, 213, 218, 228, 234, 267, 1026, 1072, 1080
Half-Dime Library.
Nos. 4, 78, 87, 137, 239, 1122
Young New Yorker.
Nos. 1, 22
Boy's Library (quarto). Nos. 2, 89
Pocket Library.
Nos. 79, 702, 772, 725

"The Land Pirates; or, The League of Devil's Island. A Tale of the Mississippi." Half-Dime Library No. 87, pp. 9-10.

For some minutes I remained thus irresolute, when it occurred to me that some one might stray out among the trees and discover me. A giant cypress stood near me, whose huge buttresses, surrounded by "knees" about my own height, offered an excellent place for concealment; and gliding silently into one of its dark niches, I took stand, cowering like a fugitive, who feels that the ruthless pursuer is upon his track and close to his hiding-place.

For some time I remained a prey to horrid apprehensions. After my experience of the previous night, I was justified in having them.

They were keen enough to keep me quiet. I made no more noise than was caused by my quick breathing.

For nearly an hour I stood in my "stall," between the two broad buttresses of the cypress, considering what I should do. I was still irresolute about retreating. The whole surface of the island was covered with palmettoes, whose stiff, fan-like fronds made a loud rustling when touched. I could not pass through them without risk of being heard. Why had I not been discovered while making my approach was probably because the boatmen were so busy about some matter that engrossed their attention. They were very near me�not thirty yards off, and but for the underwood I should have been certainly seen. If caught retreating, I should have given them the very opportunity they would desire�that is, if they meant to murder me.

Besides, I could think of no way by which I was to get off the island. I should gladly have gone back to the craft that had conveyed me thither, the drift-log, and once more trusted myself to the current. But I remembered that, on leaving it, it had become disentangled from the cypress, and resumed its course down the river. Even this waif was no longer available.

My next thought was to steal back to the side from which I had come, watch for some passing boat, hail her to bring to and take me off. But I knew there would be but little hope in this. I had reason to believe that the boats did not pass on that side. Though there the channel was wider, it was not so safe, and both steamers and flats kept to the other. I knew nothing of how the land lay, and I was apprehensive that by proceeding to make an exploration, I should be seen by the assassins of the flat. Even should a steamboat appear, I dared not hail with my voice, and any signal I should make would scarce be regarded.

My thoughts once more reverted to the dug-out. It was not likely the old craft would be disturbed by the crew of the cotton-boat, who had their skiff for a tender.

Concealed as the canoe was, under the fronds of the palmettoes, it might even escape their notice. I could wait till they took their departure, and then avail myself of it, to get off from the island. This, at length, became my determination.

I only hoped I should not be long detained; though I could form no idea of what was causing the detention of the cotton-boat. It did not appear to be an accident.

There was no sound of saw, or hammers, or anything like making repairs�only the hum of voices, with the trampling and shuffling of feet.

I listened to make out what was said, but could not. The conversation appeared to be carried on in a low tone, as if under restraint. There were three voices taking part in the talk, but Black's was the only one I could recognize. A second, I thought, was Stinger's; but the man was of a taciturn habit, and I only heard it at long intervals. The third was unknown to me.

Nor was any of them the voice of a negro. This I thought strange. Actively engaged as they appeared to be, if there were darkies employed at the work, their silence was inexplicable. I heard neither their chattering nor jocund cachinations.

After a time a fourth voice fell upon my ear, and in a tone that seemed to direct, or command. I was startled to think it was that of the planter, Bradley!

I listened more attentively than ever, straining my ears to the utmost. I could hear nothing but sound�the low humming of human voices, deadened in its passage through the thick shrubbery, and at intervals drowned by the shrieking of the grass-hoppers. For all this I could tell that there were four voices, one of them I was almost certain being that of Bradley.

It was with something more than curiosity that I interrogated myself as to what he could be doing there. I could only answer by conjecture. At first it seemed very strange. But then, I remembered that Bradley's plantation was not far off. Perhaps an accident had happened where and holding themselves unusually silent.

My eyes wandered to the hatchway of the little cabin, in which I had seen them asleep. Were they asleep still, or in the slumber of death?

My blood ran cold at the horrid suspicion�colder as I thought of its probability.

There was no sign of any negro. Stinger was alone seen by the steps of the caboose, still occupied with his scrubbing-brush.

My attention now became particularly directed to this man. What could be his object in washing the rough planks forming the roof of a flat-boat? Of what was he cleansing them? And why with such care? for he was down upon his knees, devoting himself to the task with apparent earnestness.

In seeking an explanation, my eye rested upon the "suds" chased to and fro before his brush. I saw that they were of a crimson color, tinged as if with blood! I saw this with astonishment, with trembling. I remembered what I had heard in the night�that I had believed to be a dream�the shot, and the shriek that succeeded.

Had both been real? Had murder been committed? And was Stinger engaged in eliminating the traces?

The blacks were no longer upon the boat. Where were they? Was it their blood I saw, and were their bodies at the bottom of the lagoon?

Horrid as were these suspicions, I could not help having them; and the thought that they were true gradually becoming a conviction, kept me quiet in the tree.

I remained silent on the limb of the cypress. Even the irksomeness of my seat did not tempt me to descend.

I was now sensible of being in a position of real peril. The men were murderers�all four of them�and one more crime would be lightly added to their last. Taking my life would be a step necessary tor their own safety, and I knew that if discovered I might expect but a short shrift of it. It needed nothing more to secure my silence.


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