Tuck Everlasting Chapter Titles In Essays

Tuck Everlasting, Prologue and Chapters 1-8

Author: Natalie Babbitt

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Prologue

The first week of August hangs at the very top of summer, the top of the live-long year, like the highest seat of a Ferris wheel when it pauses in its turning. The weeks that come before are only a climb from balmy spring, and those that follow a drop to the chill of autumn, but the first week of August is motionless, and hot. It is curiously silent, too, with blank white dawns and glaring noons, and sunsets smeared with too much color. Often at night there is lightning, but it quivers all alone. There is no thunder, no relieving rain. These are strange and breathless days, the dog days, when people are led to do things they are sure to be sorry for after.

One day at that time, not so very long ago, three things happened and at first there appeared to be no connection between them.

At dawn, Mae Tuck set out on her horse for the wood at the edge of the village of Treegap. She was going there, as she did once every ten years, to meet her two sons, Miles and Jesse.

At noontime, Winnie Foster, whose family owned the Treegap wood, lost her patience at last and decided to think about running away.

And at sunset a stranger appeared at the Fosters' gate. He was looking for someone, but he didn't say who.

No connection, you would agree. But things can come together in strange ways. The wood was at the center, the hub of the wheel. All wheels must have a hub. A Ferris wheel has one, as the sun is the hub of the wheeling calendar. Fixed points they are, and best left undisturbed, for without them, nothing holds together. But sometimes people find this out too late.

1

The road that led to Treegap had been trod out long before by a herd of cows who were, to say the least, relaxed. It wandered along in curves and easy angles, swayed off and up in a pleasant tangent to the top of a small hill, ambled down again between fringes of bee-hung clover, and then cut sidewise across a meadow. Here its edges blurred. It widened and seemed to pause, suggesting tranquil bovine picnics: slow chewing and thoughtful contemplation of the infinite. And then it went on again and came at last to the wood. But on reaching the shadows of the first trees, it veered sharply, swung out in a wide arc as if, for the first time, it had reason to think where it was going, and passed around.

On the other side of the wood, the sense of easiness dissolved. The road no longer belonged to the cows. It became, instead, and rather abruptly, the property of people. And all at once the sun was uncomfortably hot, the dust oppressive, and the meager grass along its edges somewhat ragged and forlorn. On the left stood the first house, a square and solid cottage with a touch-me-not appearance, surrounded by grass cut painfully to the quick and enclosed by a capable iron fence some four feet high which clearly said, "Move on—we don't want you here." So the road went humbly by and made its way, past cottages more and more frequent but less and less forbidding, into the village. But the village doesn't matter, except for the jailhouse and the gallows. The first house only is important; the first house, the road, and the wood.

There was something strange about the wood. If the look of the first house suggested that you'd better pass it by, so did the look of the wood, but for quite a different reason. The house was so proud of itself that you wanted to make a lot of noise as you passed, and maybe even throw a rock or two. But the wood had a sleeping, otherworld appearance that made you want to speak in whispers. This, at least, is what the cows must have thought: "Let it keep its peace; we won't disturb it."

Whether the people felt that way about the wood or not is difficult to say. There were some, perhaps, who did. But for the most part the people followed the road around the wood because that was the way it led. There was no road through the wood. And anyway, for the people, there was another reason to leave the wood to itself: it belonged to the Fosters, the owners of the touch-me-not cottage, and was therefore private property in spite of the fact that it lay outside the fence and was perfectly accessible.

The ownership of land is an odd thing when you come to think of it. How deep, after all, can it go? If a person owns a piece of land, does he own it all the way down, in ever narrowing dimensions, till it meets all other pieces at the center of the earth? Or does ownership consist only of a thin crust under which the friendly worms have never heard of trespassing?

In any case, the wood, being on top—except, of course, for its roots—was owned bud and bough by the Fosters in the touch-me-not cottage, and if they never went there, if they never wandered in among the trees, well, that was their affair. Winnie, the only child of the house, never went there, though she sometimes stood inside the fence, carelessly banging a stick against the iron bars, and looked at it. But she had never been curious about it. Nothing ever seems interesting when it belongs to you—only when it doesn't.

And what is interesting, anyway, about a slim few acres of trees? There will be a dimness shot through with bars of sunlight, a great many squirrels and birds, a deep, damp mattress of leaves on the ground, and all the other things just as familiar if not so pleasant—things like spiders, thorns, and grubs.

In the end, however, it was the cows who were responsible for the wood's isolation, and the cows, through some wisdom they were not wise enough to know that they possessed, were very wise indeed. If they had made their road through the wood instead of around it, then the people would have followed the road. The people would have noticed the giant ash tree at the center of the wood, and then, in time, they'd have noticed the little spring bubbling up among its roots in spite of the pebbles piled there to conceal it. And that would have been a disaster so immense that this weary old earth, owned or not to its fiery core, would have trembled on its axis like a beetle on a pin.

2

And so, at dawn, that day in the first week of August, Mae Tuck woke up and lay for a while beaming at the cobwebs on the ceiling. At last she said aloud, "The boys'll be home tomorrow!"

Mae's husband, on his back beside her, did not stir. He was still asleep, and the melancholy creases that folded his daytime face were smoothed and slack. He snored gently, and for a moment the corners of his mouth turned upward in a smile. Tuck almost never smiled except in sleep.

Mae sat up in bed and looked at him tolerantly. "The boys'll be home tomorrow," she said again, a little more loudly.

Tuck twitched and the smile vanished. He opened his eyes. "Why'd you have to wake me up?" he sighed. "I
was having that dream again, the good one where we're all in heaven and never heard of Treegap."

Mae sat there frowning, a great potato of a woman with a round, sensible face and calm brown eyes. "It's no use having that dream," she said. "Nothing's going to change."

"You tell me that every day," said Tuck, turning away from her onto his side. "Anyways, I can't help what I dream."

"Maybe not," said Mae. "But, all the same, you should've got used to things by now." Tuck groaned. "I'm going back to sleep," he said.

"Not me," said Mae. "I'm going to take the horse and go down to the wood to meet them." "Meet who?"

"The boys, Tuck! Our sons. I'm going to ride down to meet them." "Better not do that," said Tuck.

"I know," said Mae, "but I just can't wait to see them. Anyways, it's ten years since I went to Treegap. No one'll remember me. I'll ride in at sunset, just to the wood. I won't go into the village. But, even if someone did see me, they won't remember. They never did before, now, did they?"

"Suit yourself, then," said Tuck into his pillow. "I'm going back to sleep."

Mae Tuck climbed out of bed and began to dress: three petticoats, a rusty brown skirt with one enormous pocket, an old cotton jacket, and a knitted shawl which she pinned across her bosom with a tarnished metal brooch. The sounds of her dressing were so familiar to Tuck that he could say, without opening his eyes, "You don't need that shawl in the middle of the summer."

Mae ignored this observation. Instead, she said, "Will you be all right? We won't get back till late tomorrow." Tuck rolled over and made a rueful face at her. "What in the world could possibly happen to me?"

"That's so," said Mae. "I keep forgetting."

"I don't," said Tuck. "Have a nice time." And in a moment he was asleep again.

Mae sat on the edge of the bed and pulled on a pair of short leather boots so thin and soft with age it was a wonder they held together. Then she stood and took from the washstand beside the bed a little square-shaped object, a music box painted with roses and lilies of the valley. It was the one pretty thing she owned and she never went anywhere without it. Her fingers strayed to the winding key on its bottom, but glancing at the sleeping Tuck, she shook her head, gave the little box a pat, and dropped it into her pocket. Then, last of all, she pulled down over her ears a blue straw hat with a drooping, exhausted brim.

But, before she put on the hat, she brushed her gray-brown hair and wound it into a bun at the back of her neck. She did this quickly and skillfully without a single glance in the mirror. Mae Tuck didn't need a mirror, though she had one propped up on the washstand. She knew very well what she would see in it; her reflection had long since ceased to interest her. For Mae Tuck, and her husband, and Miles and Jesse, too, had all looked exactly the same for eighty-seven years.

3

At noon of that same day in the first week of August, Winnie Foster sat on the bristly grass just inside the fence and said to the large toad who was squatting a few yards away across the road, "I will, though. You'll see. Maybe even first thing tomorrow, while everyone's still asleep."

It was hard to know whether the toad was listening or not. Certainly, Winnie had given it good reason to ignore her. She had come out to the fence, very cross, very near the boiling point on a day that was itself near to boiling, and had noticed the toad at once. It was the only living thing in sight except for a stationary cloud of hysterical gnats suspended in the heat above the road. Winnie had found some pebbles at the base of the fence and, for lack of any other way to show how she felt, had flung one at the toad. It missed altogether, as she'd fully intended it should, but she made a game of it anyway, tossing pebbles at such an angle that they passed through the gnat cloud on their way to the toad. The gnats were too frantic to notice these intrusions, however, and since every pebble missed its final mark, the toad continued to squat and grimace without so much as a twitch. Possibly it felt resentful. Or perhaps it was only asleep. In either case, it gave her not a glance when at last she ran out of pebbles and sat down to tell it her troubles.

"Look here, toad," she said, thrusting her arms through the bars of the fence and plucking at the weeds on the other side. "I don't think I can stand it much longer."

At this moment a window at the front of the cottage was flung open and a thin voice—her grandmother's—piped, "Winifred! Don't sit on that dirty grass. You'll stain your boots and stockings."

And another, firmer voice—her mother's—added, "Come in now, Winnie. Right away. You'll get heat stroke out there on a day like this. And your lunch is ready."

"See?" said Winnie to the toad. "That's just what I mean. It's like that every minute. If I had a sister or a brother, there'd be someone else for them to watch. But, as it is, there's only me. I'm tired of being looked at all the time. I want to be by myself for a change." She leaned her forehead against the bars and after a short silence went on in a thoughtful tone. "I'm not exactly sure what I'd do, you know, but something interesting—something that's all mine. Something that would make some kind of difference in the world. It'd be nice to have a new name, to start with, one that's not all worn out from being called so much. And I might even decide to have a pet. Maybe a big old toad, like you, that I could keep in a nice cage with lots of grass, and . . ."

At this the toad stirred and blinked. It gave a heave of muscles and plopped its heavy mudball of a body a few inches farther away from her.

"I suppose you're right," said Winnie. "Then you'd be just the way I am, now. Why should you have to be cooped up in a cage, too? It'd be better if I could be like you, out in the open and making up my own mind. Do you know they've hardly ever let me out of this yard all by myself? I'll never be able to do anything important if I stay in here like this. I expect I'd better run away." She paused and peered anxiously at the toad to see how it would receive this staggering idea, but it showed no signs of interest. "You think I wouldn't dare, don't you?" she said accusingly. "I will, though. You'll see. Maybe even first thing in the morning, while everyone's still asleep."

"Winnie!" came the firm voice from the window.

"All right! I'm coming!" she cried, exasperated, and then added quickly, "I mean, I'll be right there, Mama."

She stood up, brushing at her legs where bits of itchy grass clung to her stockings.

The toad, as if it saw that their interview was over, stirred again, bunched up, and bounced itself clumsily off toward the wood. Winnie watched it go. "Hop away, toad," she called after it. "You'll see. Just wait till morning."

4

At sunset of that same long day, a stranger came strolling up the road from the village and paused at the Fosters' gate. Winnie was once again in the yard, this time intent on catching fireflies, and at first she didn't notice him. But, after a few moments of watching her, he called out, "Good evening!"

He was remarkably tall and narrow, this stranger standing there. His long chin faded off into a thin, apologetic beard, but his suit was a jaunty yellow that seemed to glow a little in the fading light. A black hat dangled from one hand, and as Winnie came toward him, he passed the other through his dry, gray hair, settling it smoothly. "Well, now," he said in a light voice. "Out for fireflies, are you?"

"Yes," said Winnie.

"A lovely thing to do on a summer evening," said the man richly. "A lovely entertainment. I used to do it myself when I was your age. But of course that was a long, long time ago." He laughed, gesturing in self-deprecation with long, thin fingers. His tall body moved continuously; a foot tapped, a shoulder twitched.

And it moved in angles, rather jerkily. But at the same time he had a kind of grace, like a well-handled marionette. Indeed, he seemed almost to hang suspended there in the twilight. But Winnie, though she was half charmed, was suddenly reminded of the stiff black ribbons they had hung on the door of the cottage for her grandfather's funeral. She frowned and looked at the man more closely. But his smile seemed perfectly all right, quite agreeable and friendly.

"Is this your house?" asked the man, folding his arms now and leaning against the gate. "Yes," said Winnie. "Do you want to see my father?"

"Perhaps. In a bit," said the man. "But I'd like to talk to you first. Have you and your family lived here long?" "Oh, yes," said Winnie. "We've lived here forever."

"Forever," the man echoed thoughtfully.

It was not a question, but Winnie decided to explain anyway. "Well, not forever, of course, but as long as there've been any people here. My grandmother was born here. She says this was all trees once, just one big forest everywhere around, but it's mostly all cut down now. Except for the wood."

"I see," said the man, pulling at his beard. "So of course you know everyone, and everything that goes on." "Well, not especially," said Winnie. "At least, I don't. Why?"

The man lifted his eyebrows. "Oh," he said, "I'm looking for someone. A family."

"I don't know anybody much," said Winnie, with a shrug. "But my father might. You could ask him."

"I believe I shall," said the man. "I do believe I shall."

At this moment the cottage door opened, and in the lamp glow that spilled across the grass, Winnie's grandmother appeared. "Winifred? Who are you talking to out there?"

"It's a man, Granny," she called back. "He says he's looking for someone."

"What's that?" said the old woman. She picked up her skirts and came down the path to the gate. "What did you say he wants?"

The man on the other side of the fence bowed slightly. "Good evening, madam," he said. "How delightful to see you looking so fit."

"And why shouldn't I be fit?" she retorted, peering at him through the fading light. His yellow suit seemed to surprise her, and she squinted suspiciously.

"We haven't met, that I can recall. Who are you? Who are you looking for?"

The man answered neither of these questions. Instead, he said, "This young lady tells me you've lived here for a long time, so I thought you would probably know everyone who comes and goes."

The old woman shook her head. "I don't know everyone," she said, "nor do I want to. And I don't stand outside in the dark discussing such a thing with strangers. Neither does Winifred. So . . ."

And then she paused. For, through the twilight sounds of crickets and sighing trees, a faint, surprising wisp of music came floating to them, and all three turned toward it, toward the wood. It was a tinkling little melody, and in a few moments it stopped.

"My stars!" said Winnie's grandmother, her eyes round. "I do believe it's come again, after all these years!" She pressed her wrinkled hands together, forgetting the man in the yellow suit. "Did you hear that, Winifred? That's it! That's the elf music I told you about. Why, it's been ages since I heard it last. And this is the first time you've ever heard it, isn't it? Wait till we tell your father!" And she seized Winnie's hand and turned to go back into the cottage.

"Wait!" said the man at the gate. He had stiffened, and his voice was eager. "You've heard that music before, you say?"

But, before he could get an answer, it began again and they all stopped to listen. This time it tinkled its way faintly through the little melody three times before it faded.

"It sounds like a music box," said Winnie when it was over.

"Nonsense. It's elves!" crowed her grandmother excitedly. And then she said to the man at the gate, "You'll have to excuse us now." She shook the gate latch under his nose, to make sure it was locked, and then, taking Winnie by the hand once more, she marched up the path into the cottage, shutting the door firmly behind her.

But the man in the yellow suit stood tapping his foot in the road for a long time all alone, looking at the wood. The last stains of sunset had melted away, and the twilight died, too, as he stood there, though its remnants clung reluctantly to everything that was pale in color—pebbles, the dusty road, the figure of the man himself—turning them blue and blurry.

Then the moon rose. The man came to himself and sighed. His expression was one of intense satisfaction. He put on his hat, and in the moonlight his long fingers were graceful and very white. Then he turned and disappeared down the shadowy road, and as he went he whistled, very softly, the tinkling little melody from the wood.

5

Winnie woke early next morning. The sun was only just opening its own eye on the eastern horizon and the cottage was full of silence. But she realized that sometime during the night she had made up her mind: she would not run away today. "Where would I go, anyway?" she asked herself. "There's nowhere else I really want to be." But in another part of her head, the dark part where her oldest fears were housed, she knew there was another sort of reason for staying at home: she was afraid to go away alone. It was one thing to talk about being by yourself, doing important things, but quite another when the opportunity arose. The characters in the stories she read always seemed to go off without a thought or care, but in real life—well, the world was a dangerous place. People were always telling her so. And she would not be able to manage without protection. They were always telling her that, too. No one ever said precisely what it was that she would not be able to manage. But she did not need to ask. Her own imagination supplied the horrors.

Still, it was galling, this having to admit she was afraid. And when she remembered the toad, she felt even more disheartened. What if the toad should be out by the fence again today? What if he should laugh at her secretly and think she was a coward?

Well, anyway, she could at least slip out, right now, she decided, and go into the wood. To see if she could discover what had really made the music the night before. That would be something, anyway. She did not allow herself to consider the idea that making a difference in the world might require a bolder venture. She merely told herself consolingly, "Of course, while I'm in the wood, if I decide never to come back, well then, that will be that." She was able to believe in this because she needed to; and, believing, was her own true, promising friend once more.

It was another heavy morning, already hot and breathless, but in the wood the air was cooler and smelled agreeably damp. Winnie had been no more than two slow minutes walking timidly under the interlacing branches when she wondered why she had never come here before. "Why, it's nice!" she thought with great surprise.

For the wood was full of light, entirely different from the light she was used to. It was green and amber and alive, quivering in splotches on the padded ground, fanning into sturdy stripes between the tree trunks. There were little flowers she did not recognize, white and palest blue; and endless, tangled vines; and here and there a fallen log, half rotted but soft with patches of sweet green-velvet moss.

And there were creatures everywhere. The air fairly hummed with their daybreak activity: beetles and birds and squirrels and ants, and countless other things unseen, all gentle and self-absorbed and not in the least alarming. There was even, she saw with satisfaction, the toad. It was squatting on a low stump and she might not have noticed it, for it looked more like a mushroom than a living creature sitting there. As she came abreast of it, however, it blinked, and the movement gave it away.

"See?" she exclaimed. "I told you I'd be here first thing in the morning."

The toad blinked again and nodded. Or perhaps it was only swallowing a fly. But then it nudged itself off the edge of the stump and vanished in the underbrush.

"It must have been watching for me," said Winnie to herself, and was very glad she had come.

She wandered for a long time, looking at everything, listening to everything, proud to forget the tight, pruned world outside, humming a little now, trying to remember the pattern of the melody she had heard the night before. And then, up ahead, in a place where the light seemed brighter and the ground somewhat more open, something moved.

Winnie stopped abruptly and crouched down. "If it's really elves," she thought, "I can have a look at them." And, though her instinct was to turn and run, she was pleased to discover that her curiosity was stronger. She began to creep forward. She would go just close enough, she told herself. Just close enough to see. And then she would turn and run. But when she came near, up behind a sheltering tree trunk, and peered around it, her mouth dropped open and all thought of running melted away.

There was a clearing directly in front of her, at the center of which an enormous tree thrust up, its thick roots rumpling the ground ten feet around in every direction. Sitting relaxed with his back against the trunk was a boy, almost a man. And he seemed so glorious to Winnie that she lost her heart at once.

He was thin and sunburned, this wonderful boy, with a thick mop of curly brown hair, and he wore his battered trousers and loose, grubby shirt with as much self-assurance as if they were silk and satin. A pair of green suspenders, more decorative than useful, gave the finishing touch, for he was shoeless and there was a twig tucked between the toes of one foot. He waved the twig idly as he sat there, his face turned up to gaze at the branches far above him. The golden morning light seemed to glow all around him, while brighter patches fell, now on his lean, brown hands, now on his hair and face, as the leaves stirred over his head.

Then he rubbed an ear carelessly, yawned, and stretched. Shifting his position, he turned his attention to a little pile of pebbles next to him. As Winnie watched, scarcely breathing, he moved the pile carefully to one side, pebble by pebble. Beneath the pile, the ground was shiny wet. The boy lifted a final stone and Winnie saw a low spurt of water, arching up and returning, like a fountain, into the ground. He bent and put his lips to the spurt, drinking noiselessly and then he sat up again and drew his shirt sleeve across his mouth. As he did this, he turned his face in her direction—and their eyes met.

For a long moment they looked at each other in silence, the boy with his arm still raised to his mouth. Neither of them moved. At last his arm fell to his side. "You may as well come out," he said, with a frown.

Winnie stood up, embarrassed and, because of that, resentful. "I didn't mean to watch you," she protested as she stepped into the clearing. "I didn't know anyone would be here."

The boy eyed her as she came forward. "What're you doing here?" he asked her sternly.

"It's my wood," said Winnie, surprised by the question. "I can come here whenever I want to. At least, I was never here before, but I could have come, any time."

"Oh," said the boy, relaxing a little. "You're one of the Fosters, then." "I'm Winnie," she said. "Who are you?"

"I'm Jesse Tuck," he answered. "How do." And he put out a hand.

Winnie took his hand, staring at him. He was even more beautiful up close. "Do you live nearby?" she managed at last, letting go of his hand reluctantly. "I never saw you before. Do you come here a lot? No one's supposed to. It's our wood." Then she added quickly, "It's all right, though, if you come here. I mean, it's all right with me."

The boy grinned. "No, I don't live nearby, and no, I don't come here often. Just passing through. And thanks, I'm glad it's all right with you."

"That's good," said Winnie irrelevantly. She stepped back and sat down primly a short distance from him. "How old are you, anyway?" she asked, squinting at him.

There was a pause. At last he said, "Why do you want to know?" "I just wondered," said Winnie.

"All right. I'm one hundred and four years old," he told her solemnly. "No, I mean really," she persisted.

"Well then," he said, "if you must know, I'm seventeen." "Seventeen?"

"That's right."

"Oh," said Winnie hopelessly. "Seventeen. That's old." "You have no idea," he agreed with a nod.

Winnie had the feeling he was laughing at her, but decided it was a nice kind of laughing. "Are you married?" she asked next.

This time he laughed out loud. "No, I'm not married. Are you?"

Now it was Winnie's turn to laugh. "Of course not," she said. "I'm only ten. But I'll be eleven pretty soon." "And then you'll get married," he suggested.

Winnie laughed again, her head on one side, admiring him. And then she pointed to the spurt of water. "Is that good to drink?" she asked. "I'm thirsty."

Jesse Tuck's face was instantly serious. "Oh, that. No—no, it's not," he said quickly. "You mustn't drink from it. Comes right up out of the ground. Probably pretty dirty." And he began to pile the pebbles over it again.

"But you drank some," Winnie reminded him.

"Oh. Did you see that?" He looked at her anxiously. "Well, me, I'll drink anything. I mean, I'm used to it. It wouldn't be good for you, though."

"Why not?" said Winnie. She stood up. "It's mine, anyway, if it's in the wood. I want some. I'm about dry as dust." And she went to where he sat, and knelt down beside the pile of pebbles.

"Believe me, Winnie Foster," said Jesse, "it would be terrible for you if you drank any of this water. Just terrible. I can't let you."

"Well, I still don't see why not," said Winnie plaintively. "I'm getting thirstier every minute. If it didn't hurt you, it won't hurt me. If my papa was here, he'd let me have some."

"You're not going to tell him about it, are you?" said Jesse. His face had gone very pale under its sunburn. He stood up and put a bare foot firmly on the pile of pebbles. "I knew this would happen sooner or later. Now what am I going to do?"

As he said this, there was a crashing sound among the trees and a voice called, "Jesse?"

"Thank goodness!" said Jesse, blowing out his cheeks in relief. "Here comes Ma and Miles. They'll know what to do."

And sure enough, a big, comfortable-looking woman appeared, leading a fat old horse, and at her side was a young man almost as beautiful as Jesse. It was Mae Tuck with her other son, Jesse's older brother. And at once, when she saw the two of them, Jesse with his foot on the pile of pebbles and Winnie on her knees beside him, she seemed to understand. Her hand flew to her bosom, grasping at the old brooch that fastened her shawl, and her face went bleak. "Well, boys," she said, "here it is. The worst is happening at last."

6

Afterward, when she thought about it, it seemed to Winnie that the next few minutes were only a blur. First she was kneeling on the ground, insisting on a drink from the spring, and the next thing she knew, she was seized and swung through the air, open-mouthed, and found herself straddling the bouncing back of the fat old horse, with Miles and Jesse trotting along on either side, while Mae ran puffing ahead, dragging on the bridle.

Winnie had often been haunted by visions of what it would be like to be kidnapped. But none of her visions had been like this, with her kidnappers just as alarmed as she was herself. She had always pictured a troupe of burly men with long black moustaches who would tumble her into a blanket and bear her off like a sack of potatoes while she pleaded for mercy. But, instead, it was they, Mae Tuck and Miles and Jesse, who were pleading.

"Please, child . . . dear, dear child . . . don't you be scared." This was Mae, trying to run and call back over her shoulder at the same time. "We . . . wouldn't harm you . . . for the world."

"If you'd . . . yelled or anything"—this was Jesse—"someone might've heard you and . . . that's too risky." And Miles said, "We'll explain it. . . soon as we're far enough away."

Winnie herself was speechless. She clung to the saddle and gave herself up to the astonishing fact that, though her heart was pounding and her backbone felt like a pipe full of cold running water, her head was fiercely calm. Disconnected thoughts presented themselves one by one, as if they had been waiting their turn in line. "So this is what it's like to ride a horse—I was going to run away today anyway—what will they say when I'm not there for breakfast—I wish the toad could see me now—that woman is worried about me—Miles is taller than Jesse—I'd better duck if I don't want this next branch to knock me off."

They had come to the edge of the wood now, with no sign of slowing their rapid jog. The road, where it angled across the meadow, was just ahead, dazzling white in the open sunlight. And there, standing on the road, was the man from the night before, the man in the yellow suit, his black hat on his head.

Discovering him, seeing his surprise, and presented at once with choices, Winnie's mind perversely went blank. Instead of crying out for help, she merely goggled at him as they fled past the spot where he stood. Mae Tuck was the only one who spoke, and the most she could offer was: "Teaching our little girl. . . how to ride!" Only then did it come to Winnie that she ought to shout, wave her arms, do something. But the man had fallen away behind by that time, and she was afraid to let go of the saddle, afraid to turn around, lest she fall off the horse. In another moment it was too late. They had sped up the hill and down its other side, and the opportunity was lost.

After another few minutes, the road led them to a place where, off to the left, a shallow stream looped near, with willows and sheltering, scrubby bushes. "Stop!" cried Mae. "We'll stop here!" Miles and Jesse grabbed at the horse's harness and he pulled up abruptly, nearly toppling Winnie off over his neck. "Lift the poor child down," Mae gasped, her chest heaving. "We'll go catch our breath by the water and try to put things straight before we go on."

But the explanation, once they had stumbled to the banks of the stream, came hard. Mae seemed embarrassed, and Miles and Jesse fidgeted, glancing at their mother uneasily. No one knew how to begin. For her part, Winnie, now that the running was over, began to comprehend what was happening, and with the comprehension her throat closed and her mouth went dry as paper. This was no vision. This was real. Strangers were taking her away; they might do anything; she might never see her mother again. And then, thinking of her mother, she saw herself as small, weak, and helpless, and she began to cry, suddenly, crushed as much by outrage as by shock.

Mae Tuck's round face wrinkled in dismay. "Dear Lord, don't cry! Please don't cry, child!" she implored. "We're not bad people, truly we're not. We had to bring you away—you'll see why in a minute—and we'll take you back just as soon as we can. Tomorrow. I promise."

These notes were contributed by members of the GradeSaver community. We are thankful of their contributions and encourage you to make your own.

It all starts in the first week of August when three things happen at the same day. The first one was that Mae Tuck was coming to Treegap wood, woods which were owned by the Foster family. The second event was when the man with the yellow suit knocked on the Foster's home. The third one was when Winnie Foster decided to run away. Winnie Foster was tired of her family's strictness and wanted to run away and live in her life in complete freedom. She decided to run away on the dawn of the next day.

The Tuck family were a family that lived not far away from the woods, and the day Winnie ran away, Mae Tuck went to meet her two sons, Jesse and Miles, for she hadn't seen then for about ten years. The coincidence is the Mae was going to meet them in the Treegap woods. The man with the yellow suit knocked on the Foster's house, but Winnie Foster's grandma refused to talk to him or let him in. As Winnie ran away, she goes deeper into the woods and finds a spring of water. However, she finds a boy beside the spring drinking from it whom she falls in love with immediately. She learns later that the boy is Jesse. Winnie asks to drink some water but Jesse refuses and also refuses to tell her why. Jesse is relieved when his mother, Mae and his bother, Miles arrive. They are shocked as they see Winnie and decide to kidnap her, for it was their only choice. They go along with Winnie to the Tucks' house, where Tuck is also shocked to see Winnie, yet is happy to see a normal human being.

The family tell her about their story: when they were once passing by Treegap and saw that spring and drank from it, and later they discovered that unlike everyone, they did not grow up. Miles' wife left him and all of the Tucks' friends thought they were witches and were related to black magic. The Tucks then had to move from place to place every once in a while to avoid suspicion from people. The Tucks told Winnie that they did not mean to kidnap her, but they had no other choice. Winnie, ten years old, wanted to go home, but felt loved by the Tucks. In Treegap, the man with the yellow suit came to visit the Fosters, this time to tell them good news. He told them who kidnapped their daughter and where are they, but he wanted the woods in exchange with returning Winnie. The family had no choice but to agree.

The man in the yellow suit went to the Tucks and told him his plans, to get the woods, and sell the water for expensive costs. He told them that his grandma had known a family who had a husband that never seemed to grow up and his wife thought he was a witch and left him. This husband is Miles, and the man in the yellow suit was determined to know about that family since then. When the man was grabbing Winnie by force, Mae had no choice but to shoot him with a gun.

Unfortunately, the constable witnessed the incidence and took Mae and Winnie with him: Mae to be locked up and Winnie to return home. If the man died, Mae was to be killed by the gallows. The man died. But the Tucks and Winnie knew that Mae wasn't going to be killed and their story will be heard by the whole world. They had to save Mae. When Winnie returned home, Jesse went to meet her and tell her goodbye. He gave her a bottle of the spring water and asked her to drink it when she becomes seventeen like him so they could marry.

Jesse said Miles had a plan, and Winnie decided to help by taking Mae's place so the constable will not feel suspicious about Mae's disappearance. Winnie was to cover herself up under the blanket and pretend she was Mae, asleep. This would give enough time for the Tucks to evade far away from Treegap. The next morning, Winnie was discovered and the constable couldn't punish her because she was young. Many years later, the Tucks came back to Treegap, but they were struck when they found that the wood became no more woods. They discovered that the woods were struck by lightening that caused fire and had to be all taken away. The Tucks visited Winnie's grave and felt sorry for Jesse who had high expectations to marry Winnie.

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